More
On Rope
ROPE
is a very effective projection technique, but it still has to
be learned to be effective. I would like to elaborate on a couple
of points about the technique, inspired by the feedback I have
received so far.
- There
is NO visualisation required - AT ALL - in the ROPE technique.
It is ALL tactile imaging. This means you do NOT have to
picture yourself doing it.
-
That is, to climb ROPE, the correct mental action is to
REHEARSE the climbing action in your mind.
* This mental rehearsal - IS - the ROPE technique *
-
You
need to *mentally* grit your teeth and strain with the action,
i.e., you have to put maximum mental effort into it, as
if you were really climbing a ROPE, but without allowing
your muscles to take part in it - this is ALL mental. Your
body must not be allowed to respond. You also need to feel
you are very strong, full of energy and could climb like
this all night.
-
You
will find that a certain way of holding the focus of your
mind, while you climb, will exert more pressure on your
astral body than another. It is VERY important you note
what this is and learn how to apply it. This will tune your
climbing action for the maximum effect. When you hit on
the right mental focus for the action, you will feel a corresponding
dizzy/falling sensation in your Solar Plexus.
-
To
use ROPE successfully, it is extremely important to make
a firm decision to DO IT. This commitment is VERY important
to success. A DO OR DIE effort is needed. This focuses all
your mental energy into a single point, for a single purpose
- to exit your body.
-
Many
people have emailed me with ROPE success stories. In every
case - they have been practising ROPE when they suddenly
decided to give it a go - TO REALLY DO IT! This commitment
to succeed means the difference between actually getting
out - OOBE - and experiencing various levels of ROPE induced
relaxation, trance, paralysis, chakra activity etc. I cannot
stress enough the importance of this commitment to the success
of ROPE induced OOBE.
-
While
using ROPE, completely IGNORE ALL PHYSICAL SENSATION AND
ANY NOISES YOU HEAR. If you react to a sensation, in any
way, you will lose the focus of your mental energy and dilute
your effort considerably.
All the energy/chakra work and other exercises in Parts 3 and
4, are designed to stimulate the flow of energy in your body
and increase concentration, will power and mental control. By
increasing the energy flow during a projection and controlling
your mind better, your duration in real time is increased. It
is also easier to exit.
You CAN skip all the exercises entirely and just concentrate
on learning ROPE. Everyone has different levels of skill, natural
ability and energy flow. Some people need lots of training in
order to OOBE, others do not. Some people will prefer to learn
ROPE by DOING it, rather than training for it. If your goal
is just to have a conscious OOBE, of any kind, the simple use
of ROPE, below, is your best option.
Simple Use Of Rope
Some people have the impression ROPE is too complicated. This
was possibly because by the detailed explanation I gave about
the mechanics of ROPE in Part 5, i.e., HOW it works.
ROPE is THE simplest projection technique to date. All that
is needed to use ROPE in its simplest form, are these two steps:
- Go
to bed, or sit in your chair, relax and settle yourself
down, as you normally would do before going to sleep.
-
-
Start
climbing the ROPE.
* This is all there is to the simple use of ROPE *
As there are no time consuming exercises or complicated relaxation
exercises involved, the simple use of ROPE has many advantages.
It allows you to focus all your mental resources on it. In many
cases this is all that is needed to give you your first conscious
OOBE.
Because the simple use of ROPE is less complex, you will find
yourself attempting projection more often, even when you are
tired one of the best times to try - and cannot be bothered
with anything complicated. The increased frequency of your projection
attempts gives you more practise with ROPE and hence the technique
will be mastered sooner.
Lucid Dream Backup
I
have had a great many reports of vivid dreams and heightened
lucid dream activity (L.D.) from people doing the energy/chakra
training exercises. This is happening far too frequently for
it to be coincidence.
The energy/chakra work increases the level of energy flowing
into the energy body and heightens awareness and memory of the
dream and OOBE state. It is a shame to waste all this energy
on uncontrolled dreams, so I suggest L.D. be used as a secondary
goal. This will give you OOBE experience earlier, in the form
of L.D., and help keep your interest high until you learn how
to do the conscious exit.
Lucid Dreaming
To
become Lucid in dream you need to program yourself with a trigger
to make you realise when you are dreaming, in order to take
control over it, i.e., become lucid. The best way of doing this
is by getting into the habit of doing frequent reality checks
during your daily life.
Reality Checking
A
reality check is when you stop what you are doing and check
the reality level of your situation. This is simple to do. Every
time you do a reality check. Ask yourself:
- Is
this a normal situation, is there anything strange about
it?
- Can
I fly? Try floating up in the air.
- Try
closing your eyes. This is a dead giveaway as you cannot
close your eyes in astral form.
Note: This reality checking must become habitual to be effective.
When you do a reality check during a dream, you will realise
you are dreaming and can take control of it. It is then important
to affirm to yourself you are going to remember everything.
Tell yourself over and over, " I will remember this when I wake
up."
L.D. Trigger
The
key to success with reality checks is to have a good trigger
for it. This should be something you would normally do many
times a day. This can be any kind of habitual action, but here
are a few ideas:
- Time:
Every time you look at your watch, do a reality check. An
electronic watch is a good aid. Set the timer to beep hourly.
When it beeps, do a reality check.
-
* A wrist watch, beeping hourly, is the most effective *
-
Hands:
Every time you notice your hands, do a reality check.
-
Smoking:
If you smoke, every time you have a cigarette, do a reality
check. You will usually find yourself reaching for a cigarette
during the course of a dream, if you are a habitual smoker.
Note: It takes time to make your trigger habitual, usually a
few weeks. It also helps to do a few affirmations before you
go to sleep, e.g., "I will remember to look at my watch"
When you become aware in a dream, L.D., you should already be
in a communal dream pool. If you want to try changing this to
a real time projection, try and become aware of your physical
body. If you can sense it, you may be able to return to a time
location near it. This is difficult, though, and may end the
experience completely, i.e., forcing a return to the waking
state.
I suggest you enjoy the L.D. for what it is. Communal dream
pools are very colourful places and usually lots of fun. You
will see all kinds of weird and wonderful things there and have
all kinds of adventures.
Note: To improve your memory of the L.D. don't forget to remind
yourself constantly during the L.D., to remember it all.
Changing Your Reality Location
If
you don't like the dream pool you are in, or are in a real time
OOBE and want to enter a dream pool, here are a couple of ways
to do it:
- Look
closely at your hands and watch them melt. (This is worth
doing just to see the melting hands phenomenon).
- Spin
around until you become disoriented.
- Visualise
a place you would like to be. (Instantaneous travel). This
will usually move you to a dream pool similar to your visualised
target destination.
- Fly
straight up, as fast as you can. If this fails to shift
your reality location, at least you will experience space
flight.
- Fly
away fast, close to the surface, until you find a place
you like. The blurring of speed will cause a reality shift.
- Walk
into a mirror, picture or painting. This is the same as
VRP (virtual reality projection).
These techniques all trick the subconscious, through disorientation,
into moving you to another reality location.
The Astral Form In Motion
Many
people have motion problems in their first few projections.
Simply getting across a room in the right direction, can be
a major accomplishment. This lack of control is simply because
they are unfamiliar with astral form. It is like being in zero
gravity. You have to learn to move all over again. When you
project in real time, you are just a point of consciousness
with a poorly constructed etheric shell surrounding it. Motion
is provided by thought - not muscles.
Astral Momentum
There
is a type of momentum in astral form that causes most of the
problems. This causes you to continue moving for a while, after
you decide to stop. This may take you through a wall or a ceiling
etc. This impetus is caused by the thought you used to cause
the motion. If it is too strong, or too prolonged for the action,
you will move too quickly or too far. Only practise teaches
you how to get about with any degree of accuracy and grace.
It really is quite a comical process, learning astral motion.
I remember learning to move about my home town, in my youth.
I would start by trying to navigate through my house, usually
ending up stuck in the roof, for a while. Then I would run down
the road, trying to build up speed and take off like a plane.
I would get airborne for a while, but could never quite clear
the roof tops of the surrounding houses. I would often float
unintentionally into strange houses, blundering about like a
drunk in zero G. I seemed to be endlessly apologising to all
these strangers in passing, as I floated in and out of their
houses.
How To Move
To
move about in astral form, simply - DO IT. Do not think about
what you are doing, just DO IT. Be aware that motion is provided
by your mind. You have to will yourself into motion, to change
direction, and to stop. This is the best advice I can give you
on this. It really has to be learned by doing. Have fun.
When you have learned basic motion, do not try anything too
ambitious for a while. Stick close to the surface and learn
to get around your local area first. Practise varying your speed
until you gain some control over it.
Learning To Fly
Learn
to fly the same way as you learned to move, by using your mind.
At first you may find something very much like gravity affecting
you. You may get yourself into the air only to find yourself
slowly arcing back to earth again. If you persevere you'll find
yourself moving in a series of short flight hops. This is caused
partly by habit and partly by the basic motion problem in general.
You sink back to earth when your motion causing mental action
falters. This causes your flight impetus to stop and the gravity
habit then pulls you down.
You may find yourself, as I did, trying to fly by running down
the road and leaping into the air. This is not necessary. Focus
your will into floating up into the air. Then use your will
to provide motion, same as with basic motion. There is NO gravity
affecting you in astral form. Convince yourself of this and
you will be flying in no time.
Speed
The
three speeds as defined by, S. Muldoon, and commonly accepted,
are a basic guide only. These are:
- Walking
speed.
- Motor
car speed.
- Instantaneous
travel.
I think these three speeds were a sign of the times back then.
These would have been the only types of speed known to most
people. Today, movies, computer games and air travel have thoroughly
prepared our minds to accept much higher speeds.
With practise and good mental control, you CAN vary your speed
to your purpose, from walking speed to supersonic speed. This
is a big problem for the beginner though, the control of direction
and speed. It has a lot to do with how stable the projection
is and how experienced you are at applying your will to motion.
Instantaneous Travel
It
is generally accepted that if you can visualise a destination
you can project yourself there instantly, at the speed of thought.
* I have found this to be highly unreliable *
I find this instantaneous method usually projects you straight
into a subjective location created by the visualisation of your
target. You may appear to be at your destination but you will
usually find many discrepancies between the real location and
where you are.
Instantaneous travel is very like VRP. By using your visualisation
powers to travel with, you will not actually travel. You will
create a subjective copy of a destination and enter it.
Long Distance Travel
I
have found it more reliable to follow the surface for short
to medium distance projection of up to a few hundred miles.
Even this can be difficult as it is easy to fall into the Alice
effect while travelling. All you have to do is break concentration
once and you will slip into a dream pool. Strict mental control
must be maintained at all times when travelling in real time.
It is not really practical to follow the surface for a long
distance. For example, a country on the other side of the world
from you is 12000 miles away. You would need to travel at about
64 times the speed of sound to reach there in 15 minutes. At
this speed in the atmosphere, everything blurs and clouds and
surface features cause disorientation and a corresponding reality
shift. Any real time objective aspect of the projection will
then be lost.
Note: Newbie projectors can normally hold themselves in real
time for only a few minutes. Therefore, any long distance travel
is limited by the real time part of a projection.
To travel long distance you need to study geography. You have
to be able to recognise continents, oceans, countries, states
and cities. You also need to study a map of your target area
and note any landmarks. To project there, after this is memorised,
you must go into orbit and re-enter over your target. As you
approach the earth you must adjust your approach and aim for
the geological features and landmarks around your destination.
Orbiting the Earth
To
enter orbit is a little more difficult than it sounds. Getting
up there is easy, you just go straight up, but stopping when
you get high enough is difficult. Most people, myself included,
tend to blast themselves straight out of the solar system, sometimes
right out of the galaxy. To avoid this, it is important to control
your speed during the ascent.
It is easier to project to the moon first, as a way of entering
orbit. This gives you a large visual target you can project
to in moments. Once there, it is a simple matter to head back
to Earth, enter orbit, and circle until you are above your target.
In space, away from the atmosphere, there are no problems with
speed induced blurring.
How Far Can You Go?
There
are * NO * limits to distance, destination or speed. You can
travel to the most distant galaxy. The speed of thought is infinite.
It is like folding space and moving without moving. If you can
see something, you can be there....as quick as that. In comparison,
the speed of light is that of a snail. I often go out into deep
space, where the galaxies are just tiny smudges in the distance,
to think and meditate. That is easy, but the trick is getting
back for a conscious re-entry. Unless you have a good knowledge
of astronomy, which I do not, this is difficult. Following the
silver cord, if you can see one, is not practical at that kind
of speed, though it will give you a basic direction to go in.
To return from a long distance projection, tune into your body
and become aware of it. Then try moving part of your physical
body, i.e., a finger or toe. This will return you to your body,
and end the projection with full memories of the OOBE.
Future Wind
There
is a strange phenomenon you will come across, from time to time,
while you are projecting. I call this "Future Wind."
You will be OOBE'ing somewhere, minding your own business, when
all of a sudden you will feel an irresistible force. You will
feel yourself being moved against your will, usually backwards,
by this force. You can fight it for a while but it will grow
steadily stronger until you are blown away; over the roof tops,
up into the sky and....into the future.
Then, after a while, you will come down in a different place....and
time. Often it will be somewhere mundane, maybe a domestic setting
of some sort. You will be released there and left to wander
about... confused. You may even meet people you do not know,
yet, and they will be just as confused as you are.
This may be an actual scene out of your future life, it may
be a symbolic vision, or a mixture of both. You may be an invisible
spectator to this scene, or you may merge with your future self,
and see out of your future eyes for a while.
This can also be a scene of an important future event. It could
be a disaster, natural or otherwise, or something unusual or
exciting on the world scene. These type of events usually have
a lot of energy surrounding them, and this may be part of the
reason for the vision.
The only explanations I can give for this are:
- The
intervention of your higher self: For some reason it decides
that now is the time to show you something from your future.
- Clairvoyant
interference: Your Brow chakra has become clairvoyantly
active and has tuned into a future setting. Your point of
consciousness is caught up by this vision and projected
into the vision.
- A
combination of both of the above - this is the most logical.
Symbolic Visions
There
is another aspect of this wind that is very similar to the above
but the vision you experience is symbolic, or has a symbolic
aspect, rather than an actual future event or scene.
Note: I would like to warn you about the symbolic aspect of
visions. If you don't understand the nature of symbolism it
can cause great harm to your life. This warning applies to all
clairvoyant visions in general, whether experienced in astral
form or not.
For example: You are taken, by a future wind, to a scene in
which you see yourself winning a lot of money. You are sitting
at a table checking your lottery ticket with the results. You
see the prize money is $18 million. You check your numbers,
or ticket, and find you have the winning ticket. You feel all
the excitement, the surge of adrenalin, dreams of wealth come
flooding into you and your heart races with excitement.
After this vision, you start buying lots of tickets. You also
start to make decisions that affect your life with a "When the
money comes through" type of attitude. This can cause irreparable
damage to your life! You lose your drive, your initiative, your
ambition, i.e., you stop trying. This imparts a "Cargo Cult"
type of belief system on you, a belief that everything will
be given to you - with all the negative aspects this primitive
belief system has.
This can cause you to mark time in your life, instead of living
it to the full.
* What you may have missed, from the symbolism of the above
vision is:
The amount of money may be unusual for that lottery draw. $18
million is an odd amount of money and may be a rare event. This
is what I call a SIGN POST - a date stamp of a future event.
This means that when your local lottery has a prize of the above
amount, something important is going to happen in your life
or in the world around you. If you know how symbolism works,
during the vision you would have been able to pick up more information
about this coming event. The setting, the symbols, the connections
to you, the action and the sequence of events in it, are all
important aspects of its meaning. Misunderstanding a vision
can ruin your life. Only experience and the intelligent application
of logic can teach you how to interpret a symbolic vision. Until
you have this experience, it is best to treat any sort of vision
with caution.
Some possible reasons for a symbolic vision are:
- You
are being given a warning or guidance by your higher self.
- You
are being given proof there is a future, a destiny, a meaning,
a purpose to your life.
- The
sign post of this vision may mark a good or bad event in
your life.
- You
may actually win the lottery. Personally, I would always
make sure I had a ticket in the draw, just in case, but
I would not depend on it.
Future Wind Example
I
left my body and was moving about my home, getting my sea legs.
Suddenly, a force moved me across the room. I tried to fight
it but it grew stronger until I was blown out of the house and
up into the night sky. A short time later I was brought down
again, outside my home. I was just left standing there in the
middle of the road. In front of me stood a refrigerator. It
was just sitting there in the road with its door open. I examined
it and could tell it was not working. Behind it was a massive
red brick wall, 40 feet high and twice as wide. There are no
REAL brick walls in this street. Then I noticed my wife was
standing beside me. I turned and said hello to her. She just
said goodbye, very coldly, then turned and walked away. Perplexed,
I watched her walk away. Oddly, instead of walking to our home,
she walked away from it and off into the distance.
Being experienced with the symbolism and nature of visions I
knew what this foretold, the end of my marriage. I could not
understand it as we were only recently married and very happy
together.
To decipher a symbolic vision it is necessary to analyse it
and break it down into its parts.
The six significant aspects of this vision are:
- The
sign post... (the date stamp of the event) * The refrigerator
that did not work.
-
-
The
connections... (something, or someone, in the vision that
connects the events to me). *
- My
wife.
- It
was outside my home.
- I
was there as me.
-
The
symbol... (the basic nature of the coming event) * The large
brick wall. This symbolises a barrier or an end to something.
This was the only actual symbol in the vision, but other
parts of it were by nature or action - symbolic.
-
The
symbolic action... (this signifies the meaning of the vision)
* My wife's cold goodbye.
-
The
symbolic modifiers... (these modify the symbol or, in this
case, the symbolic action in the vision). a) My wife departed
in a direction away from our home. b) She walked away until
she disappeared from view.
-
The
sequence of events:
-
The broken fridge.
-
The large brick wall.
-
My wife's actions.
OR: When I saw the broken fridge (sign post) I saw the brick
wall (symbol) and my wife (connection) said goodbye and left
(symbolic action) in a direction away from our home, until she
disappeared (symbolic modifiers)
The timing and sequence of a vision is important to unravelling
its meaning. It is important to break a symbolic vision into
its 5 basic parts and to note this in your journal, while it
is still fresh in your mind.
Note: There may be more than one modifier to each part of a
vision.
Hindsight
A
year after I had the above vision, we moved to another town.
The day we moved, we had to borrow a refrigerator from a relative.
Ours had broken down and was in for repairs. The borrowed fridge
did not work either. After our's was repaired, this other fridge
sat on our porch for two and a half years, waiting to be collected.
I remembered the vision clearly, and knew this fridge was the
date stamp of an upcoming event. I also knew what the event
was, but honestly could not see it happening. One day, though,
they came and collected this fridge. A week later my marriage
ended. Suddenly, permanently, and for no foreseeable reason.
Looking at it in hind sight, it is crystal clear what the vision
meant. It was as simple as it was accurate. Most symbolic visions
are this simple. Be very careful not to read too much into vision
otherwise the true message in the vision will be obscured.
Always
break a vision down into its parts.
Ask of each part:
- "What
is it in itself?"
- "What
does it do?"
- "What
is its simplest, most basic, symbolic meaning?"
Write these answers down and then apply common sense and logic
to them. This will give you insight into the true meaning of
the vision.
Mirrors
Mirrors,
historically, are magical devices used as doorways to other
worlds. There are also numerous superstitions and old wives
tales concerning their effect on the recently departed. After
a person had died, all mirrors in their home were covered. This
was so they could not see their lack of a reflection and be
shocked. Another reason for this was to prevent them from being
accidentally trapped in a mirror.
There is some logic to this if you look at the mechanics of
projection. Death, in the early stages, is very much like a
powerful real time projection. The biggest difference being
the lack of a living body to return to.
Spirits are normally held close to the physical dimension, in
real time, for a week or so after death. This is until the supply
of etheric matter that binds the spirit to its physical body
runs out.
During this time it is normal for the spirit to wander among
relatives and loved ones, saying goodbye and coming to terms
with their new state of existence. This goodbye process, eases
the psychological trauma of death, and helps prepare the spirit
for the next stage of existence.
What can happen with mirrors, is this: A new spirit can inadvertently
enter a mirror. If this happens, they enter a mirror world in
the same way a projector enters a picture through VRP. Once
in a mirror world they usually do not know where they are, or
how to get out of it, and can be stuck there for the duration
of their real time stay. This will not interfere with the journey
of the soul. It will just cause confusion for a few days until
it enters the next stage of existence. This can though, make
their last days near the physical world very confusing and interfere
in the natural goodbye process.
This, I believe, is where the old superstitions came from. Therefore,
in the light of my understanding of projection and the death
process, I think the covering of mirrors after a death is a
VERY good idea, for the benefit of the deceased. This is best
done for two weeks, to be sure.
A Better Goodbye
It
is possible to communicate with a recently departed spirit during
its real time, post death wandering. This can be done by leaving
a letter, uncovered, for the spirit to read. They can also hear
you, so talking to them is also effective. I think a good practise
would be to have goodbye letters, from all the people that loved
the deceased, stuck to the wall in the spirit's old room. Leave
the letters open, with all pages clearly in view, to make reading
easier.
Part
7